The Day I Met Carrie Fisher

π™Ύπš— π™³πšŽπšŒπšŽπš–πš‹πšŽπš› 𝟻, 𝟸𝟢𝟷𝟻, 𝙸 πš–πšŽπš πš–πš’ πšπš’πš›πšœπš πš•πš˜πšŸπšŽ, π™²πšŠπš›πš›πš’πšŽ π™΅πš’πšœπš‘πšŽπš›.

πš†πš‘πšŽπš— 𝙸 𝚠𝚊𝚜 πšπš’πšŸπšŽ-πš’πšŽπšŠπš›πšœ-πš˜πš•πš, 𝙸 𝚜𝚊𝚠 "πšπšŽπšπšžπš›πš— 𝚘𝚏 πšπš‘πšŽ π™ΉπšŽπšπš’" πš’πš— 𝚊 πšœπš–πšŠπš•πš• πšπš‘πšŽπšŠπšπšŽπš› πš’πš— πšŠπš— πšŽπšŸπšŽπš— πšœπš–πšŠπš•πš•πšŽπš› πšπš˜πš πš— πš’πš— πšπš‘πšŽ πš–πš’πšπšπš•πšŽ 𝚘𝚏 πšƒπšŽπš‘πšŠπšœ. π™°πšœ πšπš‘πšŽ πšŒπš›πšŽπšπš’πšπšœ πš›πš˜πš•πš•πšŽπš, πš–πš’ πš πš˜πš›πš•πš πš˜πš™πšŽπš—πšŽπš πšžπš™. 𝙸 πšπšŽπšŒπš’πšπšŽπš πšπš‘πšŽπš— πšŠπš—πš πšπš‘πšŽπš›πšŽ πšπš‘πšŠπš 𝙸 𝚠𝚊𝚜 πšπš˜πš’πš—πš 𝚝𝚘 πš›πšžπš— 𝚊𝚠𝚊𝚒 𝚝𝚘 𝚊 πšπšŠπš•πšŠπš‘πš’ πšπšŠπš›, πšπšŠπš› 𝚊𝚠𝚊𝚒 πšŠπš—πš πš“πš˜πš’πš— πšπš‘πšŽ πš›πšŽπš‹πšŽπš•πšœ πš’πš— πšπš‘πšŽπš’πš› πšπš’πšπš‘πš πšŠπšπšŠπš’πš—πšœπš πšπš‘πšŽ πšŽπšŸπš’πš• πšŽπš–πš™πš’πš›πšŽ. πšƒπš‘πšŽπšœπšŽ πšπšŠπš—πšπšŠπšœπš’πšŽπšœ πšžπšœπšžπšŠπš•πš•πš’ πšŽπš—πšπšŽπš πš’πš— πšŠπš— πšŠπš πšŠπš›πšπšœ πšŒπšŽπš›πšŽπš–πš˜πš—πš’ πš πš’πšπš‘ π™Ώπš›πš’πš—πšŒπšŽπšœπšœ π™»πšŽπš’πšŠ πš‹πšŽπšœπšπš˜πš πš’πš—πš πšžπš™πš˜πš— πš–πšŽ 𝚊 πš–πšŽπšπšŠπš• 𝚘𝚏 πš‘πš˜πš—πš˜πš› πšπš˜πš› πš–πš’ πš‹πš›πšŠπšŸπšŽπš›πš’ πšŠπšπšŠπš’πš—πšœπš πšπš‘πšŽ πšπš˜πš›πšŒπšŽπšœ 𝚘𝚏 πšŽπšŸπš’πš•. 𝙸 πšπš’πšπš—'𝚝 πš”πš—πš˜πš  πš’πš πšπš‘πšŽπš—, πš‹πšžπš πšπš‘πšŽ πš›πšŽπšŠπš• π™Ώπš›πš’πš—πšŒπšŽπšœπšœ π™»πšŽπš’πšŠ πš πš˜πšžπš•πš πš‹πšŽπšœπšπš˜πš  πšžπš™πš˜πš— πš–πšŽ 𝚊 πš‹πšŠπšπšπšŽ 𝚘𝚏 πš‘πš˜πš—πš˜πš› 𝚘𝚏 πš–πš’ πš˜πš πš— πšπš‘πš’πš›πšπš’ πš’πšŽπšŠπš›πšœ πš•πšŠπšπšŽπš›. 𝙸 πšπš˜πš•πš π™²πšŠπš›πš›πš’πšŽ π™΅πš’πšœπš‘πšŽπš› πš’πš— 𝟸𝟢𝟷𝟻 πšπš‘πšŠπš 𝙸 πš•πš˜πšŸπšŽπš πš‘πšŽπš› πš‹πšŽπšπš˜πš›πšŽ 𝙸 πš›πšŽπšŠπš•πš’πš£πšŽπš πšπš‘πšŠπš 𝙸 𝚠𝚊𝚜 𝚐𝚊𝚒. πš‚πš‘πšŽ πš‘πš˜πš πš•πšŽπš, πšπšŽπš•πš•πš’πš—πš πš–πšŽ πšπš‘πšŠπš 𝙸 πš πšŠπšœπš—'𝚝 πšπš‘πšŽ πšπš’πš›πšœπš 𝚐𝚊𝚒 πš–πšŠπš— 𝚝𝚘 πšπšŠπš•πš• πš’πš— πš•πš˜πšŸπšŽ πš πš’πšπš‘ πš‘πšŽπš›. πš‚πš‘πšŽ πš™πšžπš•πš•πšŽπš πš–πšŽ πš’πš— πšŒπš•πš˜πšœπšŽ, 𝚜𝚚𝚞𝚎𝚎𝚣𝚎𝚍 πš–πšŽ, πšŠπš—πš πšœπšπšŠπš›πšπšŽπš πš”πš’πšœπšœπš’πš—πš πš–πš’ 𝚏𝚊𝚌𝚎.

π™Ύπš— π™³πšŽπšŒπšŽπš–πš‹πšŽπš› 𝟸𝟽, 𝟸𝟢𝟷𝟼, π™²πšŠπš›πš›πš’πšŽ π™΅πš’πšœπš‘πšŽπš› πšπš’πšŽπš. πšƒπš‘πšŽ πš›πšŽπš‹πšŽπš•πš•πš’πš˜πš— πš•πš’πšŸπšŽπšœ πš˜πš—.

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The Dandridge Sisters: Don't Go Chasing Waterfalls

The Dandridge Sisters are an all black girl singing trio in the 1930's whose most famous member, Dorothy Dandridge, will go on to be the first black woman nominated for a Best Actress Academy Award in 1955 for her role in "Carmen Jones." The Dandridge Sisters are comprised of Dorothy and her older sister Vivian and their friend Etta Jones - not to be confused with the well-known jazz vocalist, Etta James. You'd be surprised how many articles incorrectly list James as a member of this trio. The Dandridge Sisters find success on radio shows and in Los Angeles nightclubs. It was in one of these nightclubs that they are invited to perform at the iconic Harlem nightclub, the Cotton Club. The Sisters are so popular at the Cotton Club that they are given a regular spot in the show. They are only 14-years-old at the time.

Have Yourself a Merry Little Christmas

Last year, my grandmother died somewhat unexpectedly. Yesterday would have been her 90th birthday, and in honor of my grandmother, I watched one of her favorite movies for the first time: Meet Me in St. Louis. I don't know how I've gone this long without bearing witness to this technicolor triumph, but now that I have, I can't get it out of my head. For a "romantic musical comedy," Meet Me in St. Louis sure has its fair share of dark moments. Because of this, my grandmother must have known that I would fall head-over-heels for Tootie and the entire Smith family! Smith was also my grandmother's last name. My grandmother told me once that she and my grandfather would watch Meet Me in St. Louis whenever they were feeling down. Before the credits rolled, my grandfather would take her hand, and they'd slow-dance around the living to Judy Garland singing "Have Yourself a Merry Little Christmas" in the background. I'd like to think that watching Meet Me in St. Louis was my grandmother's gift to me this Christmas.

A Judy Garland Christmas

"Meet Me in St. Louis" lives on as one of Judy Garland's most iconic films. A technicolor holiday classic even though only about 25 minutes of the movie takes places at Christmas. "Meet Me in St. Louis" marks the debut of the now holiday standard, "Have Yourself a Merry Little Christmas." Garland owns that song now and forever.

β€œMeet Me in St. Louis” influenced a number of future filmmakers. The Halloween sequence with Tootie and Agnes would inspire the color scheme of John Carpenter’s Halloween in 1978, and Woody Allen would update the six-month family tale to 1996 Manhattan in his movie musical "Everyone Says I Love You."

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A Natalie Wood Christmas

Upon its release, "Miracle on 34th Street" is deemed "morally objectable" by the Catholic Legion of Decency - true-believers on a mission from a motion picture hating god. They hated the soon-to-be Holiday classic because Maureen O'Hara's character was a divorcee with a little girl. Heavens to Betsy, I do declare. Natalie Wood plays O'Hara's daughter, the non-believing Susan. In real life, Wood still believes in Santa: β€œI guess I had an inkling that maybe it wasn’t so, but I really did think that Edmund Gwenn was Santa." Gwenn wins the Best Supporting Actor for his portrayal of Macy's Santa Claus. "I had never seen him without his beard because he used to come in early in the morning and spend several hours putting on this wonderful beard and mustache. And at the end of the shoot, when we had a set party, I saw this strange man, without the beard, and I just couldn’t get it together.”

NANCY WILSON DEAD AT 81.

π™°πš 𝟺 πš’πšŽπšŠπš›πšœ πš˜πš•πš, π™½πšŠπš—πšŒπš’ πš†πš’πš•πšœπš˜πš— πšŠπš•πš›πšŽπšŠπšπš’ πš”πš—πšŽπš  πšœπš‘πšŽ πš‘πšŠπš 𝚊 πšŸπš˜πš’πšŒπšŽ. πš‚πš‘πšŽ πš πš˜πšžπš•πš πšπš›πš˜πš  πšžπš™ 𝚝𝚘 πš‹πšŽπšŒπš˜πš–πšŽ πš˜πš—πšŽ 𝚘𝚏 πšπš‘πšŽ πš–πš˜πšœπš πš’πš–πš™πš˜πš›πšπšŠπš—πš πš“πšŠπš£πš£ πšœπš’πš—πšπšŽπš›πšœ 𝚘𝚏 πšŠπš•πš• πšπš’πš–πšŽ - πšŽπšŸπšŽπš— πšπš‘πš˜πšžπšπš‘ πšœπš‘πšŽ πš›πšŽπšœπš’πšœπšπšŽπš πšπš‘πšŽ πš•πšŠπš‹πšŽπš• πšπš˜πš› πš–πšžπšŒπš‘ 𝚘𝚏 πš‘πšŽπš› πšŒπšŠπš›πšŽπšŽπš›. π™΅πš˜πš› 𝚊 πšπš’πš–πšŽ, πšœπš‘πšŽ 𝚠𝚊𝚜 πš˜πš—πšŽ 𝚘𝚏 π™²πšŠπš™πš’πšπš˜πš• πšπšŽπšŒπš˜πš›πšπšœβ€™ πš‹πš’πšπšπšŽπšœπš-πšœπšŽπš•πš•πš’πš—πš πšœπšπšŠπš›πšœ β€” πšœπšŽπšŒπš˜πš—πš πš˜πš—πš•πš’ 𝚝𝚘 πšπš‘πšŽ π™±πšŽπšŠπšπš•πšŽπšœ. πš†πš’πš•πšœπš˜πš— πšπš’πšŽπš πš™πšŽπšŠπšŒπšŽπšπšžπš•πš•πš’ πšπš˜πš—πš’πšπš‘πš πšŠπšπšπšŽπš› 𝚊 πš•πš˜πš—πš πš’πš•πš•πš—πšŽπšœπšœ 𝚊𝚝 πš‘πšŽπš› πš‘πš˜πš–πšŽ πš’πš— π™Ώπš’πš˜πš—πšŽπšŽπš›πšπš˜πš πš—, π™²πšŠπš•πš’πšπš˜πš›πš—πš’πšŠ. πš‚πš‘πšŽ 𝚠𝚊𝚜 𝟾𝟷. πš†πš‘πš˜ πš”πš—πšŽπš  π™½πšŠπš—πšŒπš’ πš†πš’πš•πšœπš˜πš— πš•πš’πšŸπšŽπš πš’πš— π™Ώπš’πš˜πš—πšŽπšŽπš›πšπš˜πš πš—!?! 𝙸 πš πš˜πš—πšπšŽπš› πš’πš πšœπš‘πšŽ πšŽπšŸπšŽπš› πš™πš˜πš™πš™πšŽπš πšπš˜πš πš— 𝚝𝚘 π™ΏπšŠπš™πš™πš’ & π™·πšŠπš›πš›πš’πšŽπš'𝚜 πšπš˜πš› 𝚊 πšœπšžπš›πš™πš›πš’πšœπšŽ πš™πšŽπš›πšπš˜πš›πš–πšŠπš—πšŒπšŽ?

Can't Get You Out of My Head

Whenever I finish a zine, I always have a hard time letting go and moving onto the next one. I haven’t been able to totally move on from Natalie as I start work on the next two issues of Dead in Hollywood: Dorothy Dandridge and Tab Hunter.

CLICK HERE for the zine DEAD IN HOLLYWOOD: NATALIE WOOD (issue #8)

The Splendor of Youth.

The Splendor of Youth.

Geneva Williams: A Footnote in a Footnote's Footnotes

Hard at work on Dead in Hollywood: Dorothy Dandridge (Issue #9) and I’m finding it difficult to pull myself away from her mother, Ruby’s, story. Ruby was a successful radio and television actress in her own right who left her husband to live with her β€œcompanion” in 1922 America. Can you imagine? Sadly, her companion, Geneva Williams, was not a good woman. She overworks Dorothy and her sister, Vivian, and sexually assaults Dorothy one night after Dorothy returns home from her first date with a boy. I’d love to learn more about Geneva, but she’s become a footnote in another footnote’s footnotes.

Ruby Dandridge

Reading up on Dorothy Dandridge's life, I find myself drawn to her mother, Ruby Dandridge. Five months before Dorothy is born, Ruby leaves her husband, Cyril Dandridge, and moves in with her "companion," Geneva Williams. This was 1922! A black woman divorcing her husband was almost unheard of at the time and not to mention the fact that Ruby was also pregnant with Dorothy. But that's exactly what she does. She chooses not only to survive but to thrive in the repressed society of the 1920’s. I can’t even imagine what that must have been like for Ruby.