DEAD AND IN COLOR: MARILYN MONROE'S FUNERAL (RARE!!!)

π™ΌπšŠπš›πš’πš•πš’πš— πšπšŽπš–πšŽπš–πš‹πšŽπš›πšŽπš πš–πšŽπš–πš‹πšŽπš›, πšƒπš›πšŠπšŒπš’ π™Ίπš—πšŠπšžπšœπšœ, πšœπš‘πšŠπš›πšŽπš πšπš‘πšŽπšœπšŽ "πš—πšŽπšŸπšŽπš›-πš‹πšŽπšπš˜πš›πšŽ-πšœπšŽπšŽπš—, πš›πšŠπš›πšŽ πšŒπš˜πš•πš˜πš› πš™πš‘πš˜πšπš˜πšœ 𝚘𝚏 π™ΌπšŠπš›πš’πš•πš’πš— π™Όπš˜πš—πš›πš˜πšŽ'𝚜 πšπšžπš—πšŽπš›πšŠπš•" 𝚝𝚘𝚍𝚊𝚒 πš’πš— πšπš‘πšŽ π™΅πšŠπšŒπšŽπš‹πš˜πš˜πš” πšπš›πš˜πšžπš™ π™ΌπšŠπš›πš’πš•πš’πš— πšπšŽπš–πšŽπš–πš‹πšŽπš›πšŽd. π™Όπš˜πš—πš›πš˜πšŽ'𝚜 πšπšžπš—πšŽπš›πšŠπš• 𝚠𝚊𝚜 πš‘πšŽπš•πš πš˜πš— π™°πšžπšπšžπšœπš 𝟾, 𝟷𝟿𝟼𝟸, 𝚊𝚝 πšπš‘πšŽ πš†πšŽπšœπšπš πš˜πš˜πš πš…πš’πš•πš•πšŠπšπšŽ π™ΌπšŽπš–πš˜πš›πš’πšŠπš• π™ΏπšŠπš›πš” π™²πšŽπš–πšŽπšπšŽπš›πš’ πš’πš— πš†πšŽπšœπšπš πš˜πš˜πš, 𝙲𝙰. π™Όπš˜πš—πš›πš˜πšŽ'𝚜 πšπš˜πšœπšπšŽπš› πš™πšŠπš›πšŽπš—πšπšœ π™°πš—πšŠ π™»πš˜πš πšŽπš› πšŠπš—πš π™Άπš›πšŠπšŒπšŽ π™ΌπšŒπ™ΊπšŽπšŽ π™Άπš˜πšπšπšŠπš›πš, πšŠπš›πšŽ πš‹πšžπš›πš’πšŽπš πš‘πšŽπš›πšŽ 𝚊𝚜 πš πšŽπš•πš•. πšƒπš‘πšŽπš’ πš•πš’πšŽ πšŠπš•πš˜πš—πšπšœπš’πšπšŽ πšœπšπšŠπš›πšœ πš•πš’πš”πšŽ π™½πšŠπšπšŠπš•πš’πšŽ πš†πš˜πš˜πš, πšƒπš›πšžπš–πšŠπš— π™²πšŠπš™πš˜πšπšŽ, π™³πš˜πš–πš’πš—πš’πššπšžπšŽ π™³πšžπš—πš—πšŽ, π™·πšŽπšŠπšπš‘πšŽπš› 𝙾'πšπš˜πšžπš›πš”πšŽ, π™³πš˜πš›πš˜πšπš‘πš’ πš‚πšπš›πšŠπšπšπšŽπš—, πšŠπš—πš π™·πšžπšπš‘ π™·πšŽπšπš—πšŽπš›, 𝚝𝚘 πš—πšŠπš–πšŽ 𝚊 𝚏𝚎𝚠.

πšƒπšπ™°π™²πšˆ: "𝙰 πšŒπš•πš’πšŽπš—πš 𝚘𝚏 πš–πš’πš—πšŽ [πš‚πšπšŽπšŸπšŽ π™Άπš›πšŠπšπš’] 𝚠𝚊𝚜 πš˜πš—πš•πš’ 𝟸𝟸 πš’πšŽπšŠπš›πšœ πš˜πš•πš πš πš‘πšŽπš— πš‘πšŽ πšŠπšŒπšŒπš’πšπšŽπš—πšπšŠπš•πš•πš’ πšŒπšŠπš–πšŽ πšžπš™πš˜πš— πšπš‘πšŽ πšπšžπš—πšŽπš›πšŠπš• 𝚘𝚏 π™ΌπšŠπš›πš’πš•πš’πš— π™Όπš˜πš—πš›πš˜πšŽ. π™·πšŽ πš“πšžπš–πš™πšŽπš πšπš‘πšŽ πšπšŽπš—πšŒπšŽ πšŠπš—πš 𝚐𝚘𝚝 𝚊 πš‘πšŠπš—πšπšπšžπš• 𝚘𝚏 πšœπš‘πš˜πšπšœ πšπš‘πšŠπš πš‘πšŠπšπš—'𝚝 πš‹πšŽπšŽπš— πšœπšŽπšŽπš— πšžπš—πšπš’πš• 𝙸 πšœπšŒπšŠπš—πš—πšŽπš πšπš‘πšŽπšœπšŽ πš’πš–πšŠπšπšŽπšœ πšπš˜πš› πš‘πš’πš– πš•πšŠπšœπš πš–πš˜πš—πšπš‘. π™Όπš˜πš—πš›πš˜πšŽ πšπš’πšŽπš 𝟻𝟾 πš’πšŽπšŠπš›πšœ 𝚊𝚐𝚘 𝚝𝚘𝚍𝚊𝚒 πš’πš— 𝟷𝟿𝟼𝟸. 𝚈𝚘𝚞 πš–πš’πšπš‘πš πšπš’πš—πš πšœπš˜πš–πšŽ 𝚘𝚏 πšπš‘πšŽπš– πš’πš—πšπšŽπš›πšŽπšœπšπš’πš—πš. πšƒπš‘πš’πšœ 𝚐𝚞𝚒 𝚠𝚊𝚜 πšŠπš— πšŠπš–πšŠπšπšŽπšžπš› πš™πš‘πš˜πšπš˜πšπš›πšŠπš™πš‘πšŽπš›. π™·πš’πšœ πš™πš’πšŒπšœ πšŠπš›πšŽ πšŒπšŠπš—πšπš’πš πš‹πšžπš πš‘πš’πšœπšπš˜πš›πš’πšŒπšŠπš• πš’πš— πšœπš˜πš–πšŽ πš›πšŽπšπšŠπš›πš, πšŽπšœπš™πšŽπšŒπš’πšŠπš•πš•πš’ πšœπš’πš—πšŒπšŽ πšŠπš•πš• 𝚘𝚏 πšπš‘πšŽπš– πš πšŽπš›πšŽ πš’πš— πšŒπš˜πš•πš˜πš›. π™΄πš—πš“πš˜πš’." 

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Can't Get You Out of My Head

Whenever I finish a zine, I always have a hard time letting go and moving onto the next one. I haven’t been able to totally move on from Natalie as I start work on the next two issues of Dead in Hollywood: Dorothy Dandridge and Tab Hunter.

CLICK HERE for the zine DEAD IN HOLLYWOOD: NATALIE WOOD (issue #8)

The Splendor of Youth.

The Splendor of Youth.

The American Teenager: Natalie Wood

β€œRebel Without a Cause” defined both popular and youth culture upon its release in 1955, giving voice to the American teenager of the 1950’s. Even though Wood has starred in 20 films before turning 16, she is desperate to transition to adult roles. She sees the part of Judy as her ticket into adulthood. Complicating matters is that every actress from Debbie Reynolds to Jayne Mansfield is being considered for the role. Wood's mother pushes her into "dating" the 44-year-old "Rebel" director, Nicholas Ray - her mother waits in the car during Wood and Ray's romps at the Chateau Marmont. Sleeping with the director doesn't even work! It's not until a drunken car crash on Laurel Canyon with Dennis Hopper that Ray to cast considers Wood for the role. Ray visits Wood at the hospital, where the doctor calls Wood a "goddamn juvenile delinquent." Wood yells: "Did you hear what he called me, Nick? He called me a goddamn juvenile delinquent! Now do I get the part?" Wood deserves the credit for transforming Ray’s vision of Wood’s character Judy from a trashy teen to a confused, hurt kid like Wood herself.

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35 Years.

This is a photo of my husband and me with heartthrob Tab Hunter in 2016. Hunter had been with his partner, Allan Glaser, for 35 years when he passed away yesterday, July 8. β€œWe were walking home, and he collapsed in my arms in our front yard," said Glaser. "He said he couldn’t breathe, so I called 911, and we went to the hospital . . . This was sudden and unexpected.” A blood clot caused Hunter to go into cardiac arrest. I hope Glaser finds a little peace in knowing that his and Hunter's relationship has been an inspiration to us. I hope I'm lucky enough to get to spend 35 years with my husband. 

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